Movie Thread

[CuckTurdginson]

I'm just referencing the RT Audience score - which is like 49 or some bizarre low number like that. I thought the movie was great.

[Guest]

>thinking RT matters

[Moe Bitches]

Yeah dude.

SpoilerShow

I know, 9gag, piss off.

[Guest]

Fake pic, the critics score is not 100%.

[TheManWithNoPlan]

Why is Rotten Tomatoes always brought up in film discussions online? I’ve never known anyone who actually use it IMDB has always been much more popular.

[Guest]

Why is Rotten Tomatoes always brought up in film discussions online? I’ve never known anyone who actually use it IMDB has always been much more popular.

RT has more (((trusted critics))) than IMDB.
I think even though IMDB is owned by Amazon RT is owned by Pedowood itself (Warner Bros.) so they have a bigger astroturfing budget.

[Guest]

The critics praised it - it has an 80 something critic score. It’s the normies who rated it poorly, and for the life of me I don’t know why. It’s perfectly accessible. The guy who plays Kirk Douglas’ son is maybe a little wooden, but everyone else is either pretty good or great. It’s weird, original and my favorite of the three De Palma’s I’ve seen.
That’s not to say I take RT as gospel - they’ve shat on movies I liked or loved (Man on Fire, Fear and Loathing in Las Vegas, Pain and Gain and Freddy Got Fingered) and inflated stuff I didn’t care for. Just pointing out something I thought was strange.

[VoiceOfReasonPast]

I'm surprised the Audience Score is still a thing in Current Year.

[veris leta facies]

It should no longer matter at all what dirty peasant thinks about movies, the Gospel created by enlightened intelligentsia of Pedowood. Only the opinion of a decent champagne socialist at an Oscar gala is relevant.

[Guest]

Bill & Ted 3 was offensive as hell.

Regarding quality, it's a movie. The low budget makes it look halfway between direct-to-video and theatrical release, and it looks cheap as hell compared even to the first movie. Bill & Ted spend their time chasing future version of themselves through random cheap sets in the middle of nowhere. The real heroes are their daughters, who might be troons because they were boys at the end of the last movie but the movie never says so. The girls go back to the past to put together a band for their dads, but 60% of the band is black and there's a modern rapper (of course) who's also the smartest person in the movie (of double course!) who knows time travel and physics on the doctorate level. They go back to caveman times to find a drummer in the harshest winter and find a black woman (of triple course!).

And best of all, everyone was right that the daughters would be the ones to write the ultimate song and save time itself. Bill & Ted literally pass the torch to them at the end and say "we're your band." Also, the song is just an instrumental with no lyrics because they couldn't afford a real band to write a song for the movie.

It also uses that B.C.E bullshit because BC and AD is "white" and "religious" and this is Clown World now. Also the future is ruled entirely by women, including a fat black sassy mama.

The daughters are played by Samara Weaving (the Margot Robbie knockoff from Ready or Not) and a cute brunette who's a nonbinary loon in real life and will probably chop off her tits and troon out to be more like they/them's hero Elliot Page.